The Uplet Rudiments ™

by Aneurin Nicostratus III
Copyright © 1980 and 1981
All Rights Reserved Worldwide

 

The Uplet Rudiments Fest

Some of the Outstanding Themes Realized, Authenticated and Incorporated
At this Summer’s MASTER CLASSES

Traditional Grips and Twin Grips Ratios:
The Formal Grip and The Parallel Grip in Nonassociation
The Official Condensed Consolidation of The Matched Grip and The Traditional Grip

Velocity Gloves Matched Grips
Incorporating – for multiple drums – The Sorcerer Rotation As Certain Trimotor Spins

Tenor Drumming

Octuple Tenor Drumming Is Expanding
With The Itacolumite Diddle Compilation
In Multiples of The Bojer Diddle
With The Scimitar Cadence

Edgy-Rest Octuple Drumming
Demonstrated with Isosceles Crossover Diddles

Traditional Diddle Crossovers
Adapted As Triple & Quadruple Crossovers In Formal Grips
Adapted As Triple & Quadruple Crossovers In Parallel Grips

The PIAFFE Uplet Rudiment
With Varieties of Optimal Andretti Cycle Sets

Plural Laconic Susurrous Dynamics
Developing Modern Resonance In Rumaki Rudiments

The Cenozoic Cadence
In This Summer’s Master Class
Complexualizing The Uplet Diddle-Gator

Development Of Monongahela Climate Rudiments

Rumble Rim Flams
With Dionaea Uplet Rudiments ™
Set Between Four Poly-Sostenuto Roll Modulations

Flam Dichasium Rudiments
Developing More Radicchio Uplets
And The Trogon Robot!

Entorondeau Uplet Patterns Developing
The Experimental Subdivisions of Supporting Flams
In
The Altair Cadence

The Slalom Cadence
Created With Etesian Uplets
&
Algebra-Mirror Diddles

VELDOFUSION DIDDLES
GUARANTEED WITH FEDELINI UPLETS

Swiss Mueller Rudiments As Mobilized Patterns of Multiples
Sirius-Strummed Uplet Rudiments Incorporated As Undiluted Suisse URSIDS

The 5.2 Minute-Miler Strokes

*Motion Statistics of The Flat Flam in Orthodox Rudiments*

Stroke-Pitch Factors Coordinated in The Score Rolls
Geognosy Elements as One “Atmosphere”  Of  The Long Drag Roll

*Continuing The Motion Communication System with Numbered Motion Grips*

Transfer Arrangements in Multiple Motion Paths for Quadruple Momentum
Flam Transfer Groupings Organized within All Transposed Long Roll
Ground-Level Hand and Arm Reflex Found in ALL Rallentando Rolls

Super-Animation within Firecracker Stroke-Tone-Uplets
Of Course Awesome-Animation with
The Bundle Spins

The Essential “Arena” Range Strokes

Undivided Walking and Running Marching
Divided Walking and Running Marching

*The Double-Single Stroke Roll in More Parallax Rudiments*

The Smooth Fresh FUNK Grip in Object Anchored Fill Strokes

Unorthodox JAZZ Grips and Strokes

Some Super Stare Grips With Brush & Stick.

“The Nashville Grips”

Questions Answered About Some Snare Solos!

Understanding
The Phenomenon of Diesis Diddles and Esperanto Uplets
IN THE SNARE SOLO
RINGMASTER SPIDER
Copyright © 1980

Explaining
Kulebyaka Diddles
And
Flam Scooter Uplets
In The Snare Drum Solo
ART LETTER IN SUPERNATURAL TIMES
Copyright © 1981

How Mirepoix Uplet Formulas Anticipated
The Macadam Rudiments
In The Snare Drum Solo
Deacon Jambalaya
Copyright © 1980

How Radial Performerang Diddle-Arcades Brought
Essential Metric Elevation Within
Amakihi Ambience Uplet Rudiments ™
In The First Part Of
SNARE SOLO
COLOSSAL RHYTHM ICONS
Copyright © 1980

UNDERSTANDING
THE MAXTOGRAPHIC DIDDLE
In The Snare Solo
AUTOMATIC MANIC
Copyright © 1980

Hilton Belvedere ™
performed the Contest Solo 

Copyright © 1980

You Had to Be There!!!
Dj Hilton Belvedere On the Drum Set
Previewing The Master Class Kit Section With: 
The Rotary STORM BEATS,
The Mesmerizing CHAIN BEATS,
The Confident SLASH BEATS
And The Incredible SLAM BEATS
Uplets on The Drum Set ™
MASTER CLASSES

Winston Robert Grennan
An Ambassador From the New Nations
Filled The Universe with New Rhythm Contemplations

With his interpretations of the earth heartbeat
Winston Grennan inspired visions of more than
A few Uplet Rudiments complete!


The beginning and The End  of Radically Modern

Jazz Drumming

Elvin Jones and Tony Williams shaped the customs and advancements
in contemporary Jazz Drumming’s highest orbit
their intrical applications never to be essentially understood
by any one drummer that followed….
There are ways to move towards some parts of their
sets of time characteristics, their spontaneous and resolute signatures.

This summer we will begin

Consolidating Many of the UPLET Rudiments that can become Multi-Linear in combinations
and analyzing The Poly-Linear Drum Set Patterns that evolved in the Festival of Aaist

AS YOU HAVE SEEN

Poly-Linear and Multi-Linear Rudiments have limitless subdivides in limitless subdivision

Frank Zappa informed in a DOWNBEAT article / interview that Tony Williams’ solo accomplishment
“Echo” on Williams’ solo album SPRING inspired much of The Black Page

“Their original ultra-modern rhythm realism continues in, even if not realized, many kit genres that ensued.”

More NEW Kit Drumming Technictivity
in Next Month’s Issue!!

Everyone enjoyed the demonstrations of 
THE SCHEMA
FROM THE MANUSCRIPT:
World Rudiments and Tempos for Complex Timekeeping
FROM THE CHAPTER:
“Blueprints for Achieving Progressive Accent Inventiveness”
copyright © 1982
*
THE SCHEMA
“ACCENT STRUCTURES IN PERMUTATIONS”
This is where precise graphs are made of the accents’ pattern,
 where definitive diagrams of the accents’ construction over the rhythms are created,
then—rhythms & sticking remain the same—moved
-rearranged with permutations –
guiding the player into new energy and focus with accents.
Of course, later, without clear interpretation, called:
THE GRID 

THE UPLET RUDIMENTS FEST ‘08 WAS A WINNER !!

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